“Moe is a franchise player like Kobe [Bryant] or [Michael] Jordan to any management team whose artists want the strongest starting lineup," Ricch says. I left Red Light because I realized that my vision was different from what was being done there, and I needed autonomy. At The Shalizi Group, there’s no record label or investor that controls us -- our gut dictates everything.
It’s about working with good people. We’re at the point right now where it’s about wanting to get up every day and work on these projects. They’re all different and each have their own brand identity, so staying within those confines is always a challenge. In 2015, we first pushed Marshmello out into the world with a premiere on Billboard Dance. To be shot for the cover [three years later] was really full circle. The music industry is pretty selfless, so when you’re able to get recognition for the four or five years that you tried hard to make something happen, it’s a boost for all that you do as a manager.
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