a record of his 14 month run on the Great White Way in a show that found the songwriter telling his own life story through personal recollections and acoustic versions of his greatest hits.is another thing entirely.
The film, bathed in gorgeous shadow and light by cinematographer Joe DeSalvo, gets more personal as it moves along. You can feel the romantic ache when Bruce and the missus duet on “Stones.” And on “Moonlight Motel,” the film flashes back to home movies of the couple on their honeymoon in Yosemite. But no one is selling sentiment here. There is a tenderness in the music that never disguises the fact that love leaves bruises.
That 1975 hit might seem eons apart from the poetic yearning of this new collection of songs. Yet Springsteen uses riveting urgency of his growl to bridge the gap between a “star-spangled rodeo” and the figure of a lonely cowboy set against a mythic American landscape. In both cases, he feels the human need to “ride down easy” after the body blows of life. Springsteen believes completely in the power of storytelling through the medium of music.
It was...transcendental.
It was amazing
My wife and I saw this today and thought it was great! adnansvirk mlombardiNFL
Rolling Stones is right! Go see WesternStars, and stay through the end credits.
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