famously dislikes this particular adaptation of his novel source material. It begs an obvious question: Why would King be opposed to what is generally considered one of the greatest horror films of all time? It’s only after reading King’s novel that one can truly start to grasp his grievances: Kubrick’sis a masterpiece of composition and design, but it’s not truly much of a faithful adaptation, nor did Kubrick intend for it to be.
He looks at his wife and child and sees them as both distractions from his “work” and impediments to his freedom. It’s only when he opens up a bit to Lloyd the ghostly barman that we begin to understand the combination of shame and resentment that drives him. He knows that he’s behaved monstrously in the past, but is unable to find enough empathy for his family to keep it from happening again.is likely the single most distinctive horror film ever made.
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