, the flashy cash throwing, fake meltdowns outside of a hospital, and of course incredible athletics of Jennifer Lopez on the pole might lead you to assume that writer/director Lorene Scafaria’s film is a female version of) has crafted a story of survival and friendship that more accurately compares to classics like.
Enter Ramona . If Ramona showed up at the World Pole Dance Competition, all of the other competitors would go home. She’s confident in a way that makes everyone fall in love with her. In Lopez’s best role since, she brings the everyday diva to Ramona. She’s approachable, but not stoppable. Her clothes are the finest money can buy, she struts like a model with a fresh contract, but she isn’t cold. Her smile is luminous and makes her easy to approach.
Both in her script and the way she films the story, Scafaria weaves together the lives of both the victims and the perpetrators of the crimes. She does this without sacrificing the focus of the film. The audience knows nothing of these men but that they are wealthy and want to roll with beautiful women. Their inability to walk on their own two feet, the slurred speech, the vomiting and passing out immediately? That raises concerns about what these women are doing to these unsuspecting men.
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