The “psycho biddy” subgenre of horror has never been one that has seen a ton of exploration, but with, it can at least claim to have a rock-solid foundational text. This is a genuinely unnerving psychological horror film, sometimes wrongly referred to by cinema fans as a mere “thriller.
And of course, by the time this becomes inarguable, it’s already far too late. The film’s horror often lies in Blanche’s realization of her powerlessness—as a paraplegic confined to a wheelchair on the house’s top floor, she has literally nowhere to go, and escape always seems both maddeningly close and impossibly far.
is likely best known simply as a backdrop, against which the personal feud between Bette Davis and Joan Crawford played out. Be this as it may, it remains an extremely effective, Hitchcockian thriller, ripe with pathos, and deserves to be evaluated on its own merit, rather than as a footnote in a classic bit of
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