Zac Posen is designing costumes for the New York City Ballet’s Fall Fashion Gala. He’s been spending a couple of days a week with the company this summer studying tutus by Barbara Karinska, Balanchine’s costumer, and it shows in his latest offering, with its rigorous structure and yards of pastel tulle. Posen doesn’t think in terms of “fronts and backs,” but this collection puts a particular emphasis on three dimensionality.
Posen typically drapes on the stand. This season he did some of his early design work digitally, “torquing and twisting” and exaggerating shapes, some lifted from his earliest collections, others including that highly sculptural shift dress modeled on recent red carpet numbers . Less extreme but still quite striking were the silk duchesse shells he showed over chiffon negligees. “Soft armor,” he called them, “feminine but ferocious.” And versatile, too.
Zac_Posen It's wonderful 😍
Zac_Posen ☁️😍
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