As a filmmaker, James Mangold has been behind the wheel of almost every kind of movie you can name, from the crime drama “Cop Land” to the western “3:10 to Yuma” to the Johnny Cash biopic “Walk the Line” to theAlthough the movies have been wildly different, in each one the basic challenge, as he sees it, has been the same.
The day after the film’s well-received premiere, Mangold spoke to The Times about how film directors are like race-car drivers, the state of movies for grown-ups, and his genre-hopping journey through Hollywood.We had test-screened the movie, and it had done well, but I didn’t know how it was going to play for the film-festival scene.
That said, this movie really brings home the insanity of driving at such high speeds over hours and hours on a hunch, particularly with the technology they had back then. This is the kind of big, entertaining drama for grown-ups that used to be a mainstay of the studios and is now becoming more and more rare. I read that an agent told you, “You’d better enjoy this one because it’s the last one you’re going to get to make.” Do you feel that way?
I am aware that there’s more at stake now, that if these don’t work they’re not going to make them again. And I think it’s really important that we keep alive the ability to tell original stories.You’ve had such an eclectic career, bouncing constantly between genres. Do you see a consistent through-line?
....am I not allowed to enjoy Marvel movies or comedies because I’m a grown up? At this stage in life I can only watch dramas? I’ll stick to my fun movies - if I want drama to bring me down I’ll read the news.
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Source: EW - 🏆 713. / 51 Read more »