Though hardly a household name outside his native land, Italian dramatist Eduardo De Filippo is one of the country’s most important creative voices of the 20th century, best remembered offshore for two classic cinema adaptations, “Marriage Italian Style” and “Ghosts – Italian Style.
After settling the first dispute, Don Antonio arbitrates a dispute between Pasquale ‘O Nasone and his creditor Vicienzo ‘O Cuozzo ; his judgment favors the man in debt, allowing Barracono to be seen as a man of the people, champion of the underdog. His next visitors present a more complicated problem: Rafiluccio Santaniello brings his pregnant, barely legal girlfriend Rita and tells Don Antonio he’s going to kill his father for treating him and his girl like trash.
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