, handsomely produced with Nashville neoclassicist Dave Cobb, is how artfully, and matter-of-factly, it engages social issues. Credit the concentration of songwriting talent. Every woman here is at the top of her game. With last year’s , Carlile reached a new creative peak after 13 years of record-making. Morris is a boundary-breaking pop-country hit machine. Shires is a fiddle virtuoso and genre-agnostic singer- songwriter .
The writing’s distributed equitably, and not every song goes for profundity. “Don’t Call Me,” a Shires co-write, is a sassy kiss-off to a leech. Morris similarly boots an unappreciative partner on “Loose Change,” and joins Carlile and Shires to claim a maternal flex day on “My Name Can’t Be Mama.” Even the playful songs have gravity, and vice versa.
For a second I thought that was Cheyenne Kimball
Not for nothing, but the highwaymen were a bunch of country legends, this is just a girl group.....
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