be judged by? Airtight narrative logic, or imaginatively deranged imagery? Scores matter, scripts matter, but by the end of the movie what tends to matter most are the visuals, and Richard Shepard’s new movie,, sears its visuals into the viewer’s mind like branding on livestock, right up to its final shot, one of the genre’s most indelible since horror became the taste of the day in the mid 2010s.
Charlotte reaches out to her old teachers, Anton and Paloma , travels to Shanghai as Bachoff selects its latest student, and cozies up to Lizzie. They flatter each other. They flirt. They drink, go partying, then make passionate love in a hotel, filmed with cinematographer Vanja Cernul’s lurid gaze. Maybe Charlotte bears Lizzie no grudge. Maybe they really do admire each other to romantic heights.
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