Netflix quietly took meetings with African producers throughout the week in Durban, underscoring the growing global demand for African content. That wasn’t the case even a few years ago, when foreign buyers “would not even take the time” to consider local content, said Betty Sulty-Johnson, VP of content distribution at international urban media company Trace.
” In African filmmaking, the future is now.The first edition of Durban Does Docs, a DFM strand devoted to documentary filmmaking, stressed the need for more engagement and development to reach local audiences. “I think the particular disconnect with documentary is more a result of distribution and access than desire,” said Hot Docs’ Nataleah Hunter-Young, the documentary programmer for this year’s Durban film fest.
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