Flaming Lips’ New Opus ‘King’s Mouth’ is Heavy Listening

with its slow-moving songscapes and disruptive spoken word meditations, can also make for an arduous listen.

Coyne’s conceptual story, alongside an accompanying art installation and an illustrated book, may very well illuminate the record’s narrative about about power, death, kingdoms and sacrifice. But as a stand-alone piece of music, its pacing tends to remain too static to uphold its heavy premise. The best songs arrive far too late, and early tracks like “How Many Times” and “Giant Baby” can be hard to distinguish from recent Coyne experiments like 2017’sIt’d be a mistake to expect the band, which has undergone a series of lineup changes and stylistic evolutions over the past decade, to try to recreate any of the genre-bending magic from classic LP’s like.

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