Jazz’s Sisterhood: Regina Carter, Renee Rosnes, and More Women Transforming the Genre

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Meet the new vanguard of women performers reshaping—and revitalizing— the traditionally male world of jazz

Half a century ago, the acclaimed music critic George T. Simon said everything you need to know about sexism in jazz: “Only God can make a tree, and only men can play good jazz.” This gender bias has deep roots. Jazz has always been a boys’ club, a macho art form reserved for brash, fast-fingered men living on the road, in cramped quarters, hustling from gig to gig. And despite playing a pioneering role in integration and the civil rights movement, jazz has had an abysmal record on gender.

But hold off, just yet, with that sobbing trombone. Every decade or so, a new crop of artists emerge, seemingly on cue, to make their mark on jazz. And today, it is women at the vanguard, shattering what’s left of jazz’s so-called brass ceiling.

 

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Glad for this article & post, but women have been integral to Jazz & Blues from their beginnings; think back to Lovie Austin, Lil Hardin (Armstrong), Ma Rainey, or Bessie Smith. Also, your lede should read Renee Rosnes, not Rosen.

Traditionally male? Eh? Do you know where and how jazz originated?

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