, I met him at a party in Hollywood. He had heard some of the music from my [upcoming] album from a friend, and he really felt like it was exactly what he needed for the show. … And so after we spoke, we went to dinner, it seemed like we were from the same family, like we were reading from the same hymn book. He got the way my brain works musically, and I understood the way his brain works musically.
And ultimately, he made it easy for me to go as crazy as I wanted to with the score. He just said “Lab, just do you, don’t try to mimic other score writers, or try to be a perfect score writer.” That took a lot of the pressure off, because I’m a big fan of Hans Zimmer and I was just like, “Shit man, I’m in his world right now and I better get this right.”
Did working on the score for “Euphoria” have an inverse inspiration for the new music you’ve been making for your next album?
sounds like a frigging whole box full! Labrinth
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