The best pop music is a little bit emotionally manipulative, and Kylie Minogue knows it. Her parasitic signature single, 2001's"Can't Get You Out of My Head," is designed to stick permanently after just a single listen. A crush, its lyrics theorize, is much like an earworm — both can drive you absolutely crazy. Pleasure brings pain, or maybe the other way around.
a one-off experiment with Jay-Z's label Roc Nation that led her to work with the likes of MNEK, Sia, and Pharrell, and 2018's Nashville-tingedwhich anticipated the whole Yeehaw thing. Even the lead single from that album,"Dancing," offers something of a party girl's lament:"No one wants to stay at home/ Nobody wants to be alone."
Twenty years old doesn't seem that young nowadays, but I think back then it was more so. A few years into my time with PWL I was a bit frustrated. I wanted to be more involved. I was — yeah. I was tired of sitting in the waiting room until I was cold, and then just doing rhymes and leaving. But I think that worked really well for me initially, considering I didn't get into music the normal way. I fell into it from TV and I mean, ita dream I had.
kylieminogue Hi, please could you tell me if this article is going to be in your printed magazine? If so which issue please? Many thanks 🤞