Bedouine’s Humble Folk-Pop Brilliance

Moises Galvan

That word — artist — is one that Korkejian says she’s struggled to feel like she fully embodies in recent years, even after releasing her self-titled debut, a dazzling display of Seventies-leaning singer-songwriter simplicity, to overwhelming acclaim in 2017. Since then, she’s amassed millions of streams, shared the stage with Lucius and Real Estate, and opened for everyone from Fleet Foxes to Father John Misty.

a stately set of originals that cements her status as a vital contemporary folk storyteller unencumbered by genre. Korkejian widens her songwriting focus, tackling everything from crippling insomnia to late-stage gentrification , while retaining the same dreamy chamber-folk sound she introduced on her debut.

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