Ceylan says he works methodically, one movie at a time. But he also values spontaneity. He has largely embraced digital production, and holds no nostalgia for 35mm film. He respects scripts, but truly creates his films in the editing room.
Even with a script usually hammered out with himself, his wife and a third party, “I still shoot a lot . I want a lot of alternatives. I’m always afraid that I lose something and cannot go back,” he said at one point, later revealing that ten takes is an absolute minimum. Upto 40 is normal. “During production, I’m not involved in the sound at all. I just want the dialog to be clear. Production is the time to focus on the image, it is about actors and mise-en-scene.”
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