, the music discovery portal of Triple J, Australia's national radio."It's guaranteed that someone there listens to it. That's the rule, which is awesome. If they listen to it and they like it, they will play it on the radio," she says."They played it immediately. Within a few weeks, I had a manager, and I had label interest and was booking shows. I had only written three songs. It was very full on, exciting and surreal.
"When I was younger, I had a tendency to always have a best friend, and that best friend was always smarter than me, prettier than me, did everything better than me. It got to a point where I would just constantly compare myself to them, to the point where I would ruin their friendship. I would use it as a reflection of myself, I would end up hating myself," she says."It's a habit I'm really trying to break as an adult.
Ultimately, by moving past her own ideas of what a Hatchie song could sound like or talk about, Pilbeam was able to tap into her deeper artistic vision, crafting an album full of the sweet melodies and heady atmosphere that won her attention, but also finds new ways to be herself. She’s boldly assertive and perhaps ready to dance on synth-soaked opener “Not That Kind of Girl,” and “Unwanted Guest” is glistening industrial rock for people too polite to enter a mosh pit.
“I don't really feel good about writing a heartbroken ballad, that's not me. But I can write it for someone else,” she says. “Its early days, but a genuine dream of mine would be to write a song for Kylie Minogue.”
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