, but there’s a propulsive watchability that still makes it glide. It starts on rocky ground with characters defining themselves in clumsily broad strokes and the script relying on sitcom-level gender stereotypes but once the couple’s in the air, things smooth out considerably. The script, from the Zodiac and White House Down screenwriter James Vanderbilt, is zippy and relatively smart, playing like a fast-paced mix ofand Manhattan Murder Mystery.
I’m calling Professor Plums in the cesspit with no weapon or clue. This looks good btw.
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