For those who found too much fantasy in “Fifty Shades of Grey’s” depiction of S&M and its painful, cathartic pleasures, “Dogs Don’t Wear Pants” arrives as a welcome corrective. Though it doesn’t go in for explicit shock therapy, this inky comedy about a straitlaced widower who finds an alternative way to harness his grief — so to speak — is bracing for the empathetic psychological complexity it brings to oft-mistreated subject matter.
Fast-forward a decade or so, and Juha hasn’t climbed out of the abyss, while Elli has matured into an independent-minded teen, growing increasingly distant from her emotionally petrified dad. While accompanying her to a piercing parlor for a sweet-16 act of mild rebellion, Juha wanders idly downstairs, stumbling into the workplace of professional BDSM dominatrix Mona .
Obsessed with returning to that limbo, he becomes a regular visitor to Mona’s neon-red dungeon, requesting ever more intense strangulation until even she is unnerved by his apparent death wish. Cue a very unusual sort of fatal-attraction pursuit, in which Juha’s desire to feel anything at all leads him into ever more outlandishly masochistic activity: one memorable scene, in particular, will enthral anyone who thought “Marathon Man” lacked only an erotic charge.
Strang plays this odd awakening with delicacy and wit, his lanky body language gradually loosening and quickening as Mona’s influence takes effect, contorted with a mixture of anguished desire and ecstatic relief.
The catchy title may derive from the puppy-mistress roleplay through which its characters initially connect, but “Dogs Don’t Wear Pants” keeps their power dynamic intriguingly fluid and reversible as the relationship unfolds.
Wrong:
GEIL
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