A diminished 'Godzilla' still bests 'Rocketman,' 'Ma'

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'Godzilla: King of the Monsters' was brought down to size at the weekend box office but was still easily No. 1, while the Elton John biopic 'Rocketman' and the Octavia Spencer-led horror film 'Ma' got off to strong starts.

The latest iteration of the Godzilla franchise took over the top spot from"Aladdin" and roared louder than Elton John at the weekend box office, but it still left a notably smaller footprint on North American theaters than its city-wrecking predecessors.

Still, the weekend, led by one of the most classic movie monsters, brought Hollywood's summer season into full swing. Last week's top film, Disney's live-action, blue-Will Smith"Aladdin" remake, slid to second with $42 million in its second weekend. And a rush of newcomers, including the Elton John biopic"Rocketman" and the Octavia Spencer-led horror film"Ma," swelled theaters with a variety of options.

Part of the appeal of giant monster films from a studio standpoint is their popularity in Asia. This"Godzilla" fared best in China, opening there with $70 million. It made $130 million internationally overall. "The avid fans of Godzilla came out Thursday and Friday," said Goldstein."The real key for us is how broadly can we expand over the next couple weeks? Can we hold on to an interest that's wider than the regular Godzilla fans? I think we can."

Though"Rocketman" shares much with"Bohemian Rhapsody" — including Fletcher, who helmed the Mercury film after Bryan Singer departed production — its makers have sought to distance it from last year's Oscar-winning $900-million sensation."Ma," fashioned by Blumhouse as the production company's contemporary answer to"Misery," reteams Spencer with"The Help" director Tate Taylor.

 

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‘Rocketman’ Viewers Not Sure Movie Really Needed 45-Minute Princess Diana Death SceneLOS ANGELES—Feeling that the scene wasn’t completely necessary to tell the famed musician’s life story, viewers of the Elton John biopic Rocketman told reporters Thursday they were not entirely convinced the film needed to include a 45-minute scene depicting Princess Diana’s death. “I understand she was a close friend of Elton John and that it was a pivotal moment in his life and career, but to devote that much screen time to a graphic, slow-motion recreation of the car wreck that killed Lady Di seems a little over-the-top,” said local moviegoer Liam Mazolla, who observed that the filmmakers didn’t even include John’s chart-topping Diana tribute “Candle In The Wind 1997” in the sequence, but instead drown out all sound with a high-pitched ringing noise as the automobile accident unfolded. “One moment, you’re watching Elton in the studio cutting ‘Crocodile Rock,’ and the next, it smash-cuts to that fateful car chase 25 years later. It definitely takes some liberties when it shows him arriving at the scene and playing a grand piano on the back of a flatbed truck as the rescue crews get to work. The costumes were great, though.” Viewers also expressed bafflement at the decision to roll the film’s credits over Diana’s funeral procession, complete footage of which continues for five hours before fading to black. I'll settle for a 45 minute tour of Elton's private jet. I don’t think I even want to see it after reading this thread. Top 10 Limousine Chases of 1997
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