“I can only speak to what Elton related to me or to scriptwriter Lee Hall,” Fletcher says. “I don’t see anyone as a villain.”’s creative team, apparently does. In a 1976 Playboy interview, the flamboyant rock star described his “absentee father” as a control freak whose domineering parental manner led John to rebel though a flashy persona.
“The film is Elton’s memory,” Fletcher explains. “That’s what allows it to be imaginative and fantastical, because memory is an imperfect source of material. Especially if you were drunk at the time.” John is now long sober. His recollections offer excellent moments of seventies-rock highs and lows. Apparently Mama Cass threw stellar parties, and John threw outrageous fits. Fletcher’s favouritescene is set at the famed Los Angeles music club the Troubadour, in which John and his audience are not only hopping and bopping to“The way Elton described it, there was a moment that felt like time stopped and everybody lifted off the ground,” Fletcher says.
“I’ll let the dust settle and read some scripts,” he says, when pressed about his next project. “Maybe I will do another musical, if that’s where it’s at. It could be anything, though." Live your best. We have a daily Life & Arts newsletter, providing you with our latest stories on health, travel, food and culture.
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