Film School: Stagecoach

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Western month at Film School looks at movies like Stagecoach, which explore the genre through the act of remaking.

! This is a column focused on movie history and all the stars, filmmakers, events, laws and, yes, movies that helped write it. Film School is a place to learn—no homework required.

My Darling Clementine, The Searchers, The Man Who Shot Liberty Valance, Fort Apache, How the West Was Won, Rio Grande,, Ford’s first Western of the sound era, a group of disparate passengers travel together through Apache country, becoming a society in miniature along the way. There’s Dallas , a hooker-with-a-heart-of-gold who’s just been run out of town, alongside the alcoholic Doc Brown . The very pregnant, well-to-do Mrs.

Of course, the TV movie vanity project of an aging country music supergroup is not the artistic equal of Ford’s original. Unlike the 1966 version, it doesn’t evento ape the showpiece third act action sequence. Nevertheless, it is an astonishingly good hang. While Kristofferson is the sole “proper” actor among the Highwaymen, the evident affection between the four gives the 1986 film an endearing warmth, and the dialogue by James Lee Barrett is bursting with flavor.

 

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