Horror movies rely on twist endings perhaps more than any other genre, with some incredibly inventive and unexpected plot twists blindsiding audiences in some of the genre's best entries. There's a good reason why so many horror movies rely on twist endings. Fear of the unknown is one of the most classic, primal fears for the films to prey on, so drip feeding the audience as little as possible before blindsiding them with some of the best twist endings in cinema.
It turns out that the mansion is haunted, but Grace herself and her children are the specters, with the titular "Others" being the house's new living inhabitants. It's slowly revealed that Madison had a parasitic twin, named Gabriel, when she was born, which wound up being locked away as a malignant tumor hidden in the back of her head. Gabriel re-emerges years later with the ability to lock Madison away in a prison of her own consciousness, going on a vengeful murder spree targeting the people who imprisoned him so many years ago.
It's soon revealed that the boy in the mask, once an orphan named Tomás', died in an accident after being bullied by the other orphans, causing the orphanage's caretaker to murder the remaining kids in a rage. Laura then learns that her son died in an accident of her own shortly after going missing, causing her to commit suicide and rejoin the spirits of the children, including her son, watching over them in the afterlife.
5 The Boy Released In 2016 One of the most innovative twist horror endings to come out of the 2010s, The Boy shocks with a deceptive final climax reveal clever in its simplicity. The story opens on an American nanny, Greta, who moves to England to look after the child of a wealthy family. However, Brahms is a special boy -- Rather than an actual child, Brahms is a lifelike doll re-creating the appearance of the elderly couple's son who perished in a fire 20 years ago.
It turns out that Ghostface was the work of not one, but two homicidal teens, Matthew Lillard's Stu and Skeet Ullrich's Billy. Being willing to stab one another to maintain the ruse, Billy and Stu might not be the sharpest knives in the drawer of slasher villains, but are certainly one of the most surprising. The effective reveal of a team of killers masquerading as a single entity is so clever, it makes too much sense, and no film has been able to re-capture it quite like Scream.
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