‘Kill’ Review: The Best Action Movie of the Summer

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Sundance Film Festival News

Tribeca Film Festival,Action Film,Toronto International Film Festival

The film festival favorite is a tidal wave of carnage that approaches R-rated cartoon levels of bloodshed—and it’s a total blast.

’s title card doesn’t arrive until the film’s 45-minute mark, at which point this delirious Indian action affair goes from being conventionally violent to jaw-droppingly, eye-poppingly, gasp-inducingly brutal. A no-holds-barred free-for-all that delivers exactly what it promises, Nikhil Nagesh Bhat’s feature has scant time for story and even less for character development.

Amrit is a manly man whose every shirtless pose, intense stare, and turned head is accompanied by an over-the-top musical cue. In the wake of his failed attempt to elope with Tulika, he boards the evening train that she and her family—including teenage sister Aahna and dad Baldeo Singh Thakur , who’s a wealthy business magnate—are taking to Delhi. Out of the watchful eyes of her clan, Amrit proposes to Tulika in a bathroom, and she accepts.

Once Beni joins Fani on the train and hears about his sibling’s death, the bandits go into full-on vengeance mode, and if their unjustified fury weren’t funny enough—they did, after all, start this entire sadistic affair!—their incessant weeping over the murder of their no-good comrades is the height of hilarity. Rarely have action-movie scoundrels shed so many tears as in, rendering them a bunch of evil babies who deserve all the punishment they receive.

While mowing his way through these outlaws , Amrit strives to protect Tulika and her father as well as to save Aahna and Viresh, who’s in bad shape courtesy of these skirmishes. These threads are largely irrelevant but they do give some basic shape to Bhat’s script, which additionally boasts a subplot—involving a heavyset passenger who tries to aid Amrit in his cause—that takes a confusing twist and then is dropped without resolution.

By the time Amrit is stringing up corpses in a darkly lit car in order to transform it into a haunted house-style trap for Fani, Beni, and the rest of their accomplices ,has long since devolved into an R-rated cartoon about good and bad guys who are equally consumed with revenge. It’s only Fani, in fact, who’s motivated less by personal grudges than by wholesale greed, although that’s not enough to spare him from Amrit’s wrath.

 

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