On Monday night, the first of July, Marc Jacobs followed up his spring 2024 “Wonder” collection with a fall one filled with joy. Jacobs’ collection continued to embrace spring’s paper doll qualities with spectacular, exaggerated shapes and playful femininity, and warped them into fantastical, cartoonish wonders with 2D meets 3D constructions.
Popeye the Sailor’s girlfriend, Olive Oyl, instantly came to mind through the collections fabulous, brightly hued tulip skirts worn with stiff, collared sweaters and padded, pointed black pumps, while the idea of twisted ‘50s Stepford wives came to mind with his ladylike looks. “While the future remains unwritten, I am steadfast in my daily practice of choosing love over hate, faith over fear and finding pause in reflection. I believe in living with authenticity — free from validation and permission of absurd conservatism and societal norms,” Jacobs’ show notes read.
He continued to reinforce these silhouettes that have become, very quietly, Jacobs’ well-known signatures with ‘50s polka dots; hourglass trompe l’oeil layers; larger-than-life eye shadow and lashes, and even a possible nod to Marilyn Monroe’s wind-blown dress via Jacobs’ show-opening white frock and strappy white sandals with extended soles before the show closed with a trio of marvelous, brightly hued retro ball gowns.
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