I’ve been living in it ever since. I thought I’d be teaching a quiet seminar: 20-odd Swifties around a big oak table, examining and appreciating her career, from her debut to Midnights, alongside her influences, from Carole King to William Wordsworth . We would track her echoes and half rhymes, her arrangements and collaborations and allusions, her hooks and her choruses. We might sing along. We’d learn why “You Belong With Me” relies so much on its with .
We saw how the woman who clearly enjoyed the lights, who sang “we never go out of style” and dated Harry Styles, remained aspirational. But what made these versions of Swift relatable? One answer: Like any great writer in any medium, she has a talent for framing common emotions, for crystallizing nostalgia, lust, and regret. If we’ve felt them, she lets us feel them anew. Another answer, though, arose on the classroom’s wood floor, or perhaps at its grand piano.
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