In Defense of Camila Cabello — and Letting the Pop Girlies Try New Things

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The pop cycle pushes women artists to rebrand with every album. On C, XOXO, Camila Cabello embraced a part of her identity we simply hadn't met yet.

” in March, she’s been criticized for “trying too hard” to go against the radio pop identity that she built with her hits “” — two songs, by the way, that stan Twitter already hates. She was accused of copying her contemporaries, straining to be edgy, and embracing an aesthetic that seemed to contradict the picture-perfect pop star manufactured for her when she was in“rebrand” model set by the pop stan cycle.

But the thing is, we should be letting the pop girlies try what they want without so much scrutiny and pressure. And in this case, there’s reason to believe Cabello is actually tapping into a real side of herself, rather than just making this whole aesthetic up for commercial gains. She’s always been the weirdo she shows us on — two albums known for their eccentric, boundary-pushing production styles.

Artists are always digging deeper to find more to their artistry, and it’s often met with backlash. See, for example, Becky G, who allowed herself to go from teenage rap star to reggeaetonto música mexicana singer in the span of three albums. Though some fans accused her of pandering to Latin trends, she ultimately found the space to embrace all sides of her Latinidad onera proved to become a fan-favorite and earned her four Latin Grammys, including Album of the Year.

 

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