never got the memo that this is supposed to be an era of diminishing returns for big, ambitious, overbearing, oversharing pop-rock bands. It’s been more than a decade since they released their career-making hits “Demons” and “Radioactive,” yet they remain staples of modern rock radio as well as any high school football weight room where the coach won’t allow swear-y rap.
J Balvin lends some Spanish verses to a bonus-track remix ofsignificantly upping its energy. “Kid” is an obsequiously spot-on Gorillaz homage. “Take Me to the Beach” piles up everyday, everyman grievances before hitting an escapist, Corona-lifting chorus, landing somewhere between an old-school rap-rock rant and a Jimmy Buffett beer o’clock bromide. “Fire In These Hills” is reflective, light-touch dance-pop with a sad, yacht-y sax melody.
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