The art of conversation has been a casualty in these deeply divided days of ours, and the poor state of talk in the movies — so often expositional, glib or posturing — is an unfortunate reflection of that. The new film “Daddio” is an attempt to put verbal discourse front and center, confining to a yellow taxi a pair with different life paths, as you would expect when your leads are Sean Penn and Dakota Johnson.
Watching the unremarkable “Daddio,” you’ll never worry that anything untoward or combustible will happen between its chauvinist driver with a heart of gold and the smart if vulnerable young female passenger who “can handle herself,” as Clark frequently observes. That lack of tension is the problem. The movie is less about a nuanced conversation between strangers than a writer’s careful construction, designed to bridge a cultural impasse between the sexes.
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