Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT The Bear is at the top table of current television. In fact, forget that, it's one of the best TV shows ever made, and season 3 continues the excellent work of the last 2 seasons. It's stressful, joyful, challenging, and revelatory in ways that a show about a restaurant selling beef sandwiches shouldn't dare to be.
There's nothing quite as provocative as the festive disaster movie of Fishes, but there is one episode that runs it close for emotional stakes. And Forks' irresistible propaganda for passion is explored in a different, but not less impressive way here. And if you judge things solely on the aftertaste, there are multiple episodes in season 3 that really soar.
The Bear could be a linear story without any issue: there is a simple but rich reward in spending time with these people - a sentiment the show itself actually states in one of the new episodes. If Christopher Storer gave us 10 episodes of recipe and character development, it would make for a satisfying meal, because his shot choices are beautiful, his characters warm, and his scripts funny and raw, with tension poured over to finish. But Storer goes further.
The season is driven by three intertwining main storylines, that all seem to be heading for conclusions, but just as the mystery of Francie Fak was so delightfully unresolved, The Bear season 3 is brave enough not to answer everything. And there's no cheap trickery to make you want more , because the real pleasure is in the story-telling journey. Like great food, The Bear is about feeling, not about completion.
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