“ has been a subject in all my films,” Serra says. “As a real thing, and as a metaphor.” In Pacifiction, it’s present in the nightlife of the French Polynesian island Tahiti. Study of My Death, meanwhile, takes place in what Serra calls “a night of civilisation,” another 18th-century reverie that anticipates the horrifying twists of European history.
There is a “tricky aspect” to darkness, though, Serra admits. “It’s a pressure of the night that it will end.” The immersive Liberté exhibition closes, like the film it’s based on, with a sunrise, and the gallery’s lights are synchronised to go up with this on-screen act of illumination. Daybreak brings the wild night to a close, but it also leaves the visitor totally exposed to their fellow viewers and voyeurs.
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