Mary Martin’s 1966, with its 96 canted reflective aluminium panels, that flip and angle against a black background, a Bridget Riley vertical stripe painting and Alison Wilding’s 1991 Assembly are shown in such a way as to relate to recent works by Tomma Abts and Alice Channer. But as soon as we pick up a thread we drop it again.
Why don't we just burn all the paintings by men so theirs will be the only great art?
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