-century concert hall in the Montmartre district of Paris, marking the circus company’s first foray into fashion. A hair suspension artist, a German wheel act, trapeze artists and a stilt walker featured in the dazzling spectacle, titled “It’s All Up in the Air.”
Still, tapping into the global popularity of Cirque du Soleil was a no-brainer. “It is a crowd pleaser,” Dillane conceded, though he felt the puppetry theme of the coed show also tied in with previous outings that explored the themes of autonomy and interconnectedness. This season, renditions of Dillane’s paintings appeared on everything from a red circus master coat to patchwork leather jackets, reflecting the growing sophistication of the brand.“I’m getting to a level where not only can I spend more money on sampling and finding new manufacturing, but also I’ve got a customer base that’s willing to spend more money,” Dillane said. “When I started, everyone around me was buying $15 T-shirts.
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