So begins “Green Border,” a searingly powerful new movie from the seventy-five-year-old Polish-born filmmaker Agnieszka Holland, who has spent much of her career casting her cinematic lot with those brutalized by war. The title refers to a dense maze of forests where Belarus and Poland meet, though we see the trees in full verdant color only briefly, in an opening overhead shot. After a few moments, the image shifts to black-and-white, and there it stays.
In “Green Border,” the face of the oppressor is Jan , one of the Polish border guards we see forcing the refugees through their interminable gantlet. He is granted a short chapter of Holland’s narrative, and with it the barest sliver of sympathy. Jan is visibly stressed, with a pregnant wife at home—in a none-too-subtle parallel with the Somali woman—and he’s conflicted about his job. Although he torments the migrants under his watch, he does so with less visible gusto than his colleagues.
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Source: screenrant - 🏆 7. / 94 Read more »