Los Angeles is the capital of film noir

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50 years after “Chinatown”, the city is still inspiring new takes on the genre

drought and the water commissioner drowns,” the mortician remarks drily to Jake Gittes, a private investigator played by Jack Nicholson : “Only in.” Indeed. June 20th marks the 50th anniversary of the release of “Chinatown”, the film truest to the Los Angeles of the countless noirs set in America’s second-most-populous city. Other films revolve around Hollywood—or at least its dark, gritty edges—where every millionaire, wannabe actor and insurance agent has a secret worth killing for.

Film noir was so named by French critics after the second world war. It is a style of film-making that often features a cynical anti-hero who either sleuths for a living or finds himself accidentally drawn into an investigation. Think of Humphrey Bogart as Philip Marlowe in “The Big Sleep” , a film based on Raymond Chandler’s novel. Or of Barton Keyes, an insurance claims investigator, hellbent on sniffing out fraud in “Double Indemnity” .

 

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