The story of gay representation in British pop is one of a long struggle for respect and recognition accompanied by endless waves of vitriolic pushback. Such is the point made by Queen’s touring vocalist,in the 1980s and George Michael at the peak of his popularity as a solo singer in the early 1990s. This one-off documentary sets out to celebrate them while also acknowledging the prejudices they have faced.
It is a powerful underdog story, and with Pride month underway, there is no better time to tell it. But, while Lambert is an enthusiastic and charismatic presenter , his survey of queer pop history has a rushed run-time of just an hour – not nearly long enough to do justice to a rich and complex tapestry. I wish the story of queer pop had been given more time and space over several episodes.and Roger Taylor, who explain that Freddie Mercury hated the word “queer”.
But there were also notable absentees. Major figures such as Elton John and Boy George appear only in archive clips. The film also breezes past the story of arguably the biggest British pop star of the 1980s,, who spent his Wham! years in the closet, terrified that being outed would deal a fatal blow to this status as aHe describes how his producers talked him out of using the word “he” in a romantic context on 2009 single “Whataya Want From Me” for fear of being blacklisted by US radio.
It’s a vital message, relevant to viewers now – not just those watching for a hit of 80s pop nostalgia. But too often the film feels like a by-the-numbers music doc full of old archive footage only spruced up with the occasional interview. Lambert is likeable and articulate – he deserves better than this informative, well-intentioned yet ultimately undercooked documentary.
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