Making a movie inspired by Danny Lyon’s 1968 photojournalism book “The Bikeriders” offers a filmmaker everything except a sure thing.
This is Nichols’ sixth feature and his most visually fastidious, re-creating at certain points images straight from Lyon’s book. Nichols’ cinematographer Adam Stone plainly relished this assignment. The storyline won’t be enough for some audiences; it’s a hangout movie more than a propulsive, straight-line experience. Yet it lingers in the memory, raising questions about fact vs. invention, and the romance and glorification of ’60s motorcycle culture vs.
The narrative sets up a triangle with Kathy vying for Benny’s devotion with Johnny, the Vandals club leader played by Tom Hardy. Speaking of a dialect fiend! Hardy’s heavily marbled dialect here owes everything to Marlon Brando in “The Wild One,” for a supportable-or-close-enough reason: There’s a scene where Johnny’s watching “The Wild One” on TV one late night, and he’s never the same again. He has found his image of what kind of man he wants to become.
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