How Julia Louis-Dreyfus Faced the Living Embodiment of Death in 'Tuesday'

The Big Picture Julia Louis-Dreyfus may have a filmography down to the floor and 11 Primetime Emmys to her name, but she’s still finding projects that challenge her in new ways, a big one being Daina O. Pusić’s feature directorial debut, Tuesday.

'Tuesday' Challenged Louis-Dreyfus to Tackle the "Ultimate Sadness" Close Related 'Tuesday' Review: Julia Louis-Dreyfus Tries to Beat Death in Surreal, Moving A24 Film The feature directorial debut of Daina Oniunas-Pusić is a touching, strange, and often hilarious and heartbreaking exploration of grief.

Here’s what Louis-Dreyfus said when asked for something about her approach to the work that’s stayed the same since day one: “What was one-of-a-kind about Tuesday was going to a place I was uncomfortable going. There have been uncomfortable moments, I suppose, in performing for me in the past, and by uncomfortable, I mean — the deal with sadness. But this was sort of like the ultimate sadness , and so to have to even touch it was very scary. That’s a real honest answer for you.”

Something else that comes in handy while making an emotionally demanding film? Having a scene partner who supports you, and Louis-Dreyfus and Petticrew had just that in each other: “We shot the movie in London, but we were also in Wales. I had never been to Wales before. , is that pretty. Being on the beach in Wales and shooting — and those were very difficult scenes — at that magical spot was elevating.

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