The Big Picture A24 has positioned itself as the supreme ruler of the independent film scene. While their brand extends into almost every type of brand of storytelling you can think of, they gained special notoriety for their handling of horror. From Green Room to Saint Maud, from Under the Skin to The Witch, they ushered in a new flavor of horror so boldly that they forced their way into the pop culture lexicon.
Or does it? One of the most tantalizing things about the film is that we never know what the true nature of the dress is. Yes, it commits violent acts or invites violence against people, and it does seem to be commanded by a cabal of vampiric porcelain witches who use dark magic to turn mannequins into living women. The dress is not overtly malevolent, and seems to largely follow the whims of the inner desires of whoever currently possesses it, but also attracts danger towards its owner.
This is in conjunction with how she tries her best to stand up against the meaningless criticism she receives from higher-ups about her inability to give a "good" handshake to people, attempting to use corporate niceties that function as their version of Miss Luckmoore's sales language. Sheila emphatically calls out how stupid it is to spend this much time on something that only her bosses care about, as she's never gotten complaints from any customers.
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