ABC Classic 100 charts how film, social media and video games have changed classical music's audience

Classical music — with roots in the 16th and 17th centuries, and a repertoire spanning centuries — never went anywhere, of course.

Going off results of the early Classic 100's, the ABC Classic audience saw the worlds of the concert hall and the cinema as firmly separate.Counting down Australia's top 100 feel-good classics across June 8 and 9, from classical to music for the screen. On ABC Classic and the ABC listen app.Back in 2001, when the audience could still submit votes via post and Mozart's Clarinet Concerto topped the Classic 100, there was not a soundtrack to be heard among the final list.

Australians responded by choosing John Williams' Theme From Schindler's List , Morricone's Cinema Paradiso and local composer Nigel Westlake's music from the documentary Antarctica .Voting also reflected changes in the concert hall, as Australia's symphony orchestras began programming concerts full of film composers like Williams and Westlake.

By the time it came to vote in the Classic 100 for Australia's favourite composer in 2019, a full 21 out of the 100 final composers had written music for film, including John Williams who reached #15, beating greats like Sibelius, Wagner and Gershwin.Traditionalists may have grumbled at someone like Williams placing above those who had influenced him, but Australian audiences have a genuine love for music for the screen.

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