is a case of like father, like daughter, in that Ishana Night Shyamalan’s directorial debut follows the same basic pattern as the work of her dad—namely, it starts strong and then slowly falls apart under the weight of its obligations to clarify its baffling scenario. An adaptation of A. M. Shine’s 2022 novel, the filmmaker’s maiden feature not only suggests a raft of tantalizing early mysteries but establishes a variety of motifs that lend it an intriguing meta texture.
Stranded in the middle of nowhere, Mina takes her chatty bird—whom she names Darwin, and whose mimicry and color are paralleled by Mina’s childhood conduct and dress—and searches for a way to survive this unexpected nightmare. Instead, the sole thing she discovers on her stroll is that her car has vanished, leaving her up that proverbial creek without a paddle.Fortunately, as night begins to fall, she spies a figure running through the trees and, giving chase, she comes upon a shed.
Since Mina is on the run from her past, her guilt, and her life, she doesn’t love being imprisoned in a remote single-room shack where she’s forced to figuratively act for an invisible audience.
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