for live music led by Taylor Swift and Beyoncé, and 2024 has so far been defined by thin crowds and canceled shows.The concern from fans and mild schadenfreude from online rubberneckers might distract from the artists currently pulling big numbers on tour, including, to name a few. But seeing multidecade road warriors such as the Black Keys or multihyphenate household name J.
Given that ticket prices across all levels, from the front row to the nosebleeds, have seen price hikes, it’s not a stretch to assume audiences have only become more frugal since last year. The result is that legacy acts are now feeling the growing pains of a shifting, more costly industry and are unable to sell venues they might have packed a decade ago. Current artists, meanwhile, may be miscalculating what they can realistically sell in today’s economic environment, leading to them taking bigger risks than anticipated.
Sure, cool-kid pop darlings Charli XCX and Troye Sivan might bring in crowds in NYC and L.A. on their co-headlining tour, but can they fill an arena in The final explanation is that audiences and artists alike are plain old tired of Live Nation Entertainment’s antics. The hulking company created from Live Nation and Ticketmaster’sBut even for those who don’t know anything about LNE, the process of buying a ticket from Ticketmaster, often the only option outside of resale sites, has become anTo help keep your account secure, please log-in again.
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