a sculpture on view at Glenstone. The 1987/1990 installation suggests a mirrored image, a set of twins. But there’s also a tension in the pairing, like a game that asks viewers to spot the differences, even if there aren’t any.
Gonzalez-Torres’s almost-perfect clocks are a microcosm for what’s happening at Glenstone, a museum that has sought to pair boundless nature with minimalist architecture. The museum’s— an austere series of interconnected galleries designed by Thomas Phifer for displaying major works — is closed for renovations, only six years after opening its doors in 2018. The museum confirmed that it must replace the highly specialized architectural glass in the Pavilions building.
Curated by Mia Matthias and Yuri Stone, “Iconoclasts” doesn’t have any particular rhyme or reason. New acquisitions such as “Tree of Knowledge” by Hilma af Klint — a rediscovered proto-modernist painter who rose to prominence in 2018 but whose— are on view alongside unimpeachable sculptures by Ruth Asawa, Alexander Calder and Henri Matisse.
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