The last time Sky Ferreira toured Australia in 2014, the cult musician, actor and model was just 21 and riding high on the critical success of her acclaimed debut, somehow merged the churning noise and depressive angst of Suicide, Jesus and Mary Chain and ’80s post-punk with expressive, radio-friendly vocal hooks to such an extent that it broke into Australia’s top 40, while Ferreira’s grungy aesthetic, louche demeanour and singular vision pointed to an icon in the making – a pop star for the...
Ferreira – who is performing in Sydney at the Opera House on Sunday for Vivid Live and in Melbourne at the Forum on Tuesday for Rising – is in good spirits. But her tale is a pop tragedy, her career stalled amid boardroom quarrels, health issues, erratic stage behaviour, a 2013 drug bust and weighty expectations.
“Honestly, it’s a bit cruel,” she adds. “After trying to get out of there for so long, it feels very deliberate. Waiting 10 years to do that? They should have just dropped me 10 years ago if they weren’t planning on doing anything.”, are tied up in Capitol’s red tape, Ferreira says, limiting her potential to release new music. Her frustration is palpable.
Even without new material, Ferreira’s legacy – musically, and as an outspoken template for young female musicians to make music in the label system on their own terms – is obvious in the current pop landscape.It feels like proof that, even with a 10-year black hole, Ferreira could easily slot back into cultural ubiquity.
“I’m not saying ‘we changed everything!’, but we had to deal with that and I do think we helped make the lines a little more blurred to where it wasn’t so black and white, you know?”
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