that the first song he learned to sing was Queen’s “Bohemian Rhapsody” when he was little boy, and that he had sort of fallen into singing regional Mexican because of where he was born in Sonora, Mexico — a region where that genre rules. In just a few years, he’s become one of the most important exponents ofwhere he doesn’t hold back from showing off just what a chameleon he is in music and how innovative he can be.
This seven-track set is a collaborative project between Gusi and iconic Latin producer Emilio Estefan Jr. Together, they worked at Crescent Moon Studios in Miami, which, in Gusi’s words, “being at that studio felt like an award.” They worked on the album for ten days; Estefan chatted withduring the launch and explained how, for him, music has to be done quickly to maintain its magic. “Music is like love; you click, and you fall in love fast, and you fall out of love fast, too,” he says.
The album aims to celebrate the diversity of Latin America, and it’s beautifully represented in this album full of rich fusions of accordions, trumpets and guitars with Gusi’s sweet vocals, as we hear in “Amores No Correspondidos,” “Me Voy Contigo” and the folkloric flauta de millo-featuring “Mil Ave Marias.” Meanwhile, the focus track gives the albumits name and encompasses all the meaning it has for Gusi, as well as the importance of always wanting to return to his roots.
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