. The most anticipated title landed with a deafening thud and plenty of films were fine but underwhelming, before a couple of incognito gems lit up the Croisette and saved the day. , a 40-years-in-the-making experimental sci-fi with a $120 million price-tag partially funded by Coppola’s selling one of his vineyards . Adam Driver stars as a priapic, time-pausing architect, Cesar Catalina, whose life’s work is to build a utopia out of the dystopia that is the decadent and divided New Rome.
Nicole , Ruby and Élise are a close yet contrasting trio of female friends. Nicole is a jumpy writer, prone to daydreaming about the hunk in an opposite flat. Ruby is a free-spirited cam girl covered in body art and Élise is an actress, who pulls up in a hurry and a platinum Marilyn wig, having fled the set and her overbearing husband. The rapport between these performers is what givesits spine and its heart.
Newcomer and real-life tennis demon Tessa Van den Broeck plays Julie, a laconic teenager who speaks through her racket. She is the cream of her elite tennis club by such a margin that she has a scholarship there. The arc of the film is Julie internally processing why Coach Jeremy has been suspended in the run-up to an important competition. Despite his absence from the club, he continues to coach her over the phone and in clandestine meet-ups.
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