The Untold Story Behind Beeple's Historic NFT Sale: 'Token Supremacy' Excerpt

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Zachary Small is a New York Times reporter writing about the art world’s relationship to money, politics and technology.

Mike Winkelmann sank into the sofa as three cameras recorded his meltdown. The dueling identities that had once structured his life were coming into conflict as his fortunes increased by the second. Unseen crypto billionaires were bidding for his soul, or at least it felt that way. His entire artistic career was being auctioned as a compilation of five thousand digital artworks, packaged by the Christie’s auctioneers as a single non-fungible token .

In 2007, Beeple started a project that would eventually make him famous. The"Everydays" series began as a daily drawing habit of crude little doodles that seemed to betray his more corporate, Bill Gates appearance. The drawings were the crass products of a mind feeding on internet bile and tutored by magical realism . A year later, Beeple switched to Cinema4D, an animation software that allowed him to manipulate three-dimensional space.

Poof. All gone. Sold. The two other NFTs offered, including one from a video series called Crossroads, went for $66,666.66 each. Even with such a devilish price – decided upon with the whimsy of a speculative market willing to spend whatever – Winkelmann could identify his salvation in the metaverse. The most he had ever made from his artworks was $100 for a small print.

Ironically, the arrival of the ultra-contemporary market occurred around the same time that Christie’s announced that its top lot for the"20th Century Evening Sale" in October 2020 would be the remains of a Tyrannosaurus rex, nicknamed Stan, which ended up selling for $31.8 million, the most ever paid for a fossil at the time.

However, Ito found the level of involvement from Christie’s marketing department lacking. Understanding the stakes of this auction for his company, he started trying to make his own luck through outreach with private collectors – “whales,” as they are called in the crypto community. Vignesh Sundaresan was one of the first names on his list.

At the virtual party in January, Sundaresan, now 33, unveiled a fund called Metapurse for investing in NFTs. The 20 Beeple artworks that he had purchased were bundled into a single asset called B.20, which was then fractionalized into ten million tokens. Buyers of the tokens were told that this would denote ownership over the metaverse’s first large-scale public art project.

The marketing juggernaut at Christie’s, which had initially been slow to support the sale, finally kicked into action. Winkelmann’s NFT idea had been rebranded into an event with its own subtitle, like an Avengers movie –"Everydays: The First 5000 Days." Doyle was receiving increasing numbers of emails from crypto collectors expressing their interest in placing a bid.

 

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