to an unimpressed driver about the idea that every choice not made creates its own alternate reality, which we’re unable to see only because of our own locked-in perspective. The movie unfolds as a formally radical exploration of that idea: The young thinker in the cab gives way to a series of momentary protagonists, each connected to the next only by the chance encounter that brings them together.
and offscreen fellow Austinite, who starts the movie on a moment of musing. His character, a professor of psychology and philosophy at the University of New Orleans, is lecturing on a passage from Nietzsche about the possibility of self-reinvention. As withis far from formally radical, instead operating in the familiar if reliably fun genre of the con-artist thriller: specifically, the kind in which the con artist in question discovers their true self via their gift for the game. sent to jail.
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