Without permits, caution or anything to prove except everything, director George Miller shot “Mad Max” in 1977 on some beautifully forlorn stretches of Australian road with an ensemble of eager maniacs activating, and hyperactivating, a tale of a desolate near-future. At one point, a very young Mel Gibson as Max Rockatansky, the road warrior-lawman on the edge of insanity, mourns the killing of his boss and comrade.
The story belongs to Furiosa, who we meet as a young girl played by Alyla Browne. In the barely human patriarchies of this parched post-apocalypse desert land, only the Vuvalini, aka the Tribe of Many Mothers, living in the Edenic paradise known as the Green Place, point to a better way. There’s world-building aplenty. One fiefdom, The Citadel, resembles a sand-swept Middle-earth, or the Tower of Babel’s ambitious new condo development. Dementus cuts a deal with his enemy and gains control of nearby Gastown. The realms of “Fury Road” and now “Furiosa,” like their “Mad Max” franchise predecessors, run on petroleum , water and blood .As gratifyingly different as the “Mad Max” movies have been, at heart Miller is making ever-more-grandiose biker movies, but with more than bikes.
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Source: screenrant - 🏆 7. / 94 Read more »